Showing posts with label family. Show all posts
Showing posts with label family. Show all posts

Monday, June 1, 2015

Zorro

A few years ago, I was in the middle of my first year teaching, just barely afloat. I'm sure most of you have heard the saying "the first year's the hardest" - it's 100% truth. I remember calling my mom crying sometime during my second week just not sure how I could do this for a whole year. Of course it gets a bit easier as you get the hang of things like discipline and keeping kids engaged- you learn what works and doesn't work for your classroom. You also get huge burn out. You're exhausted- drained in a way that you've never experienced.

I was also a little bit lonely.

None of my best friends from college had wound up in the metroplex yet. I moved between three schools each day and therefore had just a few work friends. I had been desperately looking for a church and had finally found the Village, but was yet to really plug into my amazing home group that would become my family for the coming years.

I went to school. Came home. Went to bed. And repeated.

That cycle gets hard after a while.

So I thought it would be really nice to have something/someone to come home to. *insert Christian dating joke here*

Han gets it. Han always gets it.
No, I just wanted a cat. (Side note: love dogs, didn't want to have one locked up inside an apartment all day.) I had looked around for a few months and on a trip back to Waco, my mom and I visited Fuzzy Friends - an amazing no kill animal shelter.

There are several, free roaming cat rooms with a dozen or so cats each. You can wander around and just play with any cat that'll have you. This time, in a separate area, there was this funny-looking cat that had been shaved in a cage all by himself. We thought maybe he had a skin disease or didn't play nicely with others. We started talking to an employee who said, "My favorite's Zorro, he's the sweetest" and motioned to the weirdo in the corner. As soon as I opened the cage door, he had his front paws up on my shoulder and was meowing in my face. It was over. I didn't even pick him- Zorro made his choice very clear. He picked me.


Zorro was an amazing cat, right from the start. I think he might have thought he was a dog. He loved people and always wanted to be near to you, sometimes to a fault. ;) Every night when I came home, he's be right there jumping up on me and meowing like crazy before the front door was closed. He truly was what finally made my apartment into a little home of its own. 

He had some health problems about year into my having him during which I found out that he was either hit by a car when he was younger or suffered some other great trauma that left him with a diaphragmatic hernia. He had to go on special food to help his poor, messed-up innards deal with digestion, but other than that, he was healthy and happy like always. 

He did shed like crazy though, so for the summer he got a haircut. Luckily, he had no idea how silly he looked.


Every time he had to go into the vet, the techs always marveled at how he was the most easy-going and friendliest cat they'd ever met. He'd routinely rub his head against the nurses and purr while they were giving him a shot.


 When I moved away to England, my mom really wanted to send Zorro with me as a present, but it's actually extremely difficult to get a pet into the UK. I didn't want to subject such a good-natured creature to months of quarantine. So he went to live with his grandparents in Waco where he loved it. (I think he fell in love with my dad more than he ever loved me, but I don't hold it against him. My dad's pretty great.) He was also great with my two nieces- extremely patient with toddler "petting" and the like. The more people that were on the couch, the more he needed to be touching all of them at once.




My first trip back home after moving abroad was Christmas 2013 and the first thing I did upon entering our house was take a picture with Zorro. He was shell-shocked at my return, as you can see.


 We took more selfies later though:



Fast forward to a month or so ago when my mom let me know that Zorro wasn't doing well. He wasn't eating well and was lethargic and having digestion issues. My vet had warned me could eventually happen with his injuries. He lost four pounds very quickly and stopped eating all together.

He was in a lot of pain.

It's that really sucky time that you always have to deal with when it comes to owning a pet. I'm really thankful for my parents, that they were there in Zorro's last weeks, days, and minutes, loving and caring for him just as good as I could have. I hate that I never really got to say goodbye. But it's more important not to be selfish in situations like this. It's important to end suffering.


When I think about Zorro, I think about becoming an adult. A real adult who started out on her own in a new city, grew a support net, chased after the Lord, followed her passion, worked her butt off, made difficult and scary decisions- all with a cat snuggled up next to her as close as he could get. 


 Zorro, who didn't care if I got the role or was saving enough money or had a boyfriend or didn't eat any vegetables for a week. Zorro, who only cared that I loved him. And he loved me. That's all you can ask for. Being loving to him today was difficult, but it was right.



To Zorro- I love you.



Wednesday, April 15, 2015

A 4,400 Mile Surprise

So last month, I got to do something pretty awesome. Let me explain myself via YouTube:



Praise the Lord for airline rewards, amirite? I cashed in some of my many AA miles accrued over my dozen-ish transAtlantic flights these past two years and found myself with a (mostly) free journey to Orlando. Here are some highlights from the week:

 







 





Disney World holds decades of memories for us (thank you, Disney Vacation Club). Walking down main street tends to make a King a bit teary-eyed in the best possible way. I'm so thankful I was here for this turn down Main Street.

To my wonderful, generous, loud, loving family,


Monday, January 5, 2015

14 for '14 & 15 for '15

Praise the Lord it's not 1999 anymore. I have no patience to link to 99 memories here. Also, this happened in '99-




Well Britney, it's 20142015. We don't just do the emails anymore. We also do the facebook and the twitter and the instagram and the tumblr and the google plus.

Just kidding. No one does google plus.

Let's get on with it, shall we?

Just when you thought I was done with 90s references.


Fourteen memories of my 2014:


Learning the accordion for Two Gentlemen of Verona
A video posted by Jenny King (@jkitsmejenny) on



Bluebonnet season
A photo posted by Jenny King (@jkitsmejenny) on



Nieces
A photo posted by Jenny King (@jkitsmejenny) on



Brighton with JoJo


Dover with Katie
A photo posted by Jenny King (@jkitsmejenny) on





Mustard fields of Lavenham
A photo posted by Jenny King (@jkitsmejenny) on



A day of birthday surprises
Hosting a #toocoolforBritishrule Fourth of July party
A photo posted by Jenny King (@jkitsmejenny) on



Completing our first year of grad school
A photo posted by Jenny King (@jkitsmejenny) on



Opening game at McLane Stadium
A video posted by Jenny King (@jkitsmejenny) on



Russia
A photo posted by Jenny King (@jkitsmejenny) on



Leading the Troupe Matryoshka in The Firebird


Christmas in Texas
A photo posted by Jenny King (@jkitsmejenny) on



Fifteen things to look for in my 2015:

Performing DoΓ±a Rosita at The Cockpit Theatre
Filming reels with Jonathan Firth
Turning in my thesis
Our final East 15 shows at The Tristan Bates Theatre
More writing
Graduation
Sorority sisters coming to visit!
The Barrington Collective
Edinburgh Fringe Festival
Parental visit #2
NYC and LA Showcases
European travel...somewhere, anywhere, everywhere
Saying goodbye to London
Saying hello to Texas
The next step

To looking ahead,


Tuesday, January 28, 2014

Mammaw & Ibsen

Blogging Note: This post has a severe lack of sarcastic reaction gifs and actually goes into semi-depth mode. It's a mix of more acting detail than you care to know mixed with a difficult personal situation. Just know what you're getting yourself into.



I had normal class yesterday from 9 to 6, just like every Monday. We're on "priority" right now which means no skills classes, only acting. This day, I was second in our line-up of long form, opposing action character improvs.

("Jenny, what the heck did that last sentence mean?")

Let's backtrack a bit. Right now we're working on European Realism. (Must be important because I used capital letters.) We're talking about modern-ishy (1860-1910) playwrights whose work represents what we think of as the foundation of "realism" in drama. So, to name drop, I mean people like Ibsen, Chekhov, and Strindberg.

I know what you're thinking. "But is Chekhov only a realism writer, Jenny? Can you even pinhole any of those guys into a label like Realism Playwright??"

(You're not really thinking that, but I have to include it in case any drama snobs stop by this blog unexpectedly.)

Anywho- we're doing duet scenes from these dudes' classics. Think (more name-dropping now) Uncle Vanya, A Doll's House, The Seagull, Miss Julie, and my personal favorite currently...Hedda Gabler. Yes, my scene is from Hedda. No, I'm not playing Hedda. I'm playing Mrs. Elvsted. No, she is not an elf. (As a general rule, Realism = no elves.)

We started the unit with hour long, dramaturgical presentations- mine and Jamie's specifically covered Henrik Ibsen's life, Hedda in performance, and life in Norway in the 1890s. (p.s. - How many vocab points do I get for the word "dramaturgical?") We taught a folk dance whose object is to kick a hat off a stick and played a social hierarchy game involving holding cards to your forehead. Aka- we nailed it.

Next, we moved on to improvisational scenes that have allowed us to explore our characters more fully. One of these is called "opposing actions" wherein yourself and another character in the play's world have opposite goals and must negotiate with the other using as many varied tactics as possible in order to achieve their objective first. You put a setting together and talk to your partner about your shared backgrounds and such, but you plan out nothing. You have 20-30 minutes to freedom to try your hardest to get what you want.

Mrs. E is a fun character to tackle. Ibsen leaves a lot open in her backstory, but also drops great hints that give you a good direction to head in. The "obvious" choice is to play her as this timid victim, but obvious = boring. She has a bravery and strength almost completely opposite of Hedda. (Another p.s.- Read this play if you haven't ever. You can find the free Project Gutenberg translation here.)

To cut out a lot of details, Mrs. Elvsted is in a loveless, abusive marriage and has instead devoted herself to her step-children's former tutor Eilert Lovborg. (Who can resist a man named Eilert, amirite?) The dramatic action of Hedda Gabler begins after Eilert has left my house in the country for Oslo because he's "restless" and other lame excuses like that. I wanted to really get a feel for how that abandonment felt - how the one spot of light in her life extinguishing itself so quickly felt like. Also, how bold would she be in an attempt to save it? So I chose to set my scene when Eilert was leaving me...whereas I obviously wanted him to stay. Oh hey look, opposing actions!

So...here's where my normal changed a bit.

I checked Facebook very late on Sunday night (so late that it was actually very early on Monday morning). My mom had messaged me that Mammaw was not doing well. She ended up passing away quickly and peacefully that night (still mid-evening in Texas). She was 84 and in a nursing home, but had been in her normal state of health just last Thursday. So you could say it was unexpected.

I'm a Christian. Mammaw was a Christian. I'm assured of where she is - no longer in pain and rejoicing. That doesn't change the fact that you've lost someone forever, in this case my last grandparent. It doesn't change the fact that I wish I were in Texas more than anything. I want to be with my family. I want to hug my mom, my dad, my brother, my sister-in-law, my nieces, my uncle, Emily, Hannah, Janet, Jody...everyone. Basically this is my first extremely negative experience with living across an ocean and to say I don't like it would be a bit of an understatement. But it's a deal I signed up for. For all the perks that come with getting a graduate degree in London, there are also drawbacks. I'm feeling this drawback like a punch in the gut.

So how are these things connected? Well, I knew right away that I wanted to go ahead with my scene. I could have easily put it off (my professors would have probably given me the day off if I had asked) but I felt like delaying it would have made things worse. I just wanted to go. I wanted to do. I wanted to act.

Is it a form of catharsis? Free public therapy? Emotional self-abuse? 

As I was grasping at Eilert that morning and begging him not to leave, some would think I was "using" my grandmother's death to make tears fall down my face. Exploiting it, you might say. For that I have two poorly-worded points:

1. Yes, this was maybe my first true experience with having to deal with real emotional distress before going onstage, but...that's life. If I want to do this as a career, it won't be the last time it happens. How do you deal with that as a professional in theatre world? You know that whole "show must go on" thing? At some point, that very stereotypical saying will apply.

2. This scene about a lover leaving my character shouldn't involve my current personal emotional state of losing a loved one.

One point our professors drive home again and again is playing your actions onstage versus your emotions. Deciding to just act scared or happy or anxious makes it all about you (which actors love to do) and leaves the stage empty of any driving force. Imagine if every character onstage was totally wrapped up solely in their own inner emotions. That is an extremely angsty and boring play.

Instead- you focus on your tactics and objectives. What do you want from that other person and how are you going to get it? In my case, how could I guilt, tempt, entertain, push (on and on) Eilert into making him stay? Concentrating on doing something to your scene partner instead of how you feel in the moment makes for a much more interesting and psychologically-healthy piece of drama.

So yes, I came into the space in a certain emotional state - one that wasn't the easiest to deal with - but I kept a handle on myself by keeping my attention on Eilert. In the end, I had a journey in which I didn't just become a blubbering wreck and I discovered some new things about Mrs. Elvsted. That's all I can ask for.

I know that Mammaw loved the fact that I'm over here pursuing this dream. I know she would have wanted me to keep doing the thing that I love.

She always called me her fellow "July fly" because of our shared birthday month. She was sweet, gentle, caring- everything a little girl should have in a grandmother while growing up. She did more for my mom (and so then in turn me) than I'll ever really know.

Most of all, Mammaw loved me and was proud of me. That's all I could have asked for.

God is good, all the time. All the time, God is good.